Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter"s search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers"s novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet"s status as a mystery writer, naturally, means she"s the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women"s college. --Ali Davis
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目不暇接
剧中的角色都很有魅力让人忍不住喜欢上他们
恩培多克勒之死
我真看得有点难受了
CoralineWybie
Lord P is a true gentleman
内积空间
这部剧的制作水平很高是一部不可多得的好剧
Yasasvi
冗长琐碎 最后揭晓谜底总有种泄气感 玛丽苏感超重
瑴
好優雅
О М Сlɪtərɪs
确诊脸盲完全没发现男主换演员了
Kleineweisse
还是老版好这里爵爷一点不贵族女主人几次给他倒茶递点心都忽视还和管家一起穿着睡衣坐在沙发上抽烟弃
神前逃避吧
看来早期的侦探悬疑剧就是不适合我
玫瑰水母
批皮玛丽苏探案剧不怎么精彩但也不讨厌
木易
网络资源 看了之后发现作者号称和阿加莎齐名但在国内完全没名气不是没有理由的 男主的选择气场不像男主 案子也不太吸引人
elani
十集三案节奏太慢了数度睡着
可以证明
爵爷的长相很符合我的审美啊故事对人性的揭示很犀利
Hhhhh
感情戏看得莫名其妙和Bunter一起耍帅不好么
Ginkgo
Watched it a loooooong time ago probably watched it on a HDV tape that39s how long ago that was and how difficult it was to find a copy at the time I was determined to try it after the other adaptation felt too 70s and staged Bunter was too young Peter not exactly like the book description but did have certain charm of LP and vulnerability Fit better for the romantic LP than Ian Carmichael
熊猫眼看电影
本剧对于三女王之一的塞耶斯的原著改动很大特别是第二个故事整体看起来像是奉推理案件来谈恋爱的故事男女主打情骂俏的顺便还把案子给破了女主千般推脱还是人见人爱的主男主一方侯爵风流倜傥怎么看都是女王偷看我们才子佳人故事后偷撰的故事
Tenfrey
比较晦涩
总是觉得很想吃
爵爷挺优雅但推理部分感觉不够紧凑紧张感不太足
astoriag
爵爷好俏我劝塞耶斯退出侦探文学界
平行世界中相遇
最后一个案子不怎么吸引人减一星女主真的有点丑